But after describing both men’s (very different) situations, she says that she knows “many more than two women who have been raped”: “With just one exception, none of the women I know pressed criminal charges or made a report to the police.” In the first sentence of “The Conspiracy Against Men,” she says that she knows two men who were falsely accused of rape. Srinivasan refuses to resort to straw men she will lay out even the most specious argument clearly and carefully, demonstrating its emotional power, even if her ultimate intention is to dismantle it. These essays are works of both criticism and imagination.
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We want what we want because we want it - treating the norms of sex like “the norms of capitalist free exchange.” We ask only whether the parties involved agreed to the transaction we neglect to ask about the forces that shape whatever they expected and desired in the first place. “Sex is no longer morally problematic or unproblematic: it is instead merely wanted or unwanted,” Srinivasan writes. Moralizing has often been used as a way to exclude, to scold and to discipline, “wrongly imposing our ‘personal’ choices and ways of seeing onto others.” Laws enacted in the name of vulnerable and marginalized groups were, in actual practice, used against them - harming sex workers, buttressing the state’s police power, outlawing porn produced by sexual minorities while leaving mainstream pornography “untouched.”īut by focusing so narrowly on the matter of consent, feminism may have lost its purchase on some other fundamental issues. There were, Srinivasan concedes, good reasons for this shift. (The subtitle of the book’s American edition is “Feminism in the Twenty-First Century” - curiously not included on the British edition, which appeared first.) That older generation talked unapologetically about “morality” and “the patriarchy” since the 1980s, there’s been a turn away from that approach, Srinivasan writes, yielding “a feminism which does not moralize about women’s sexual desires, and which insists that acting on those desires is morally constrained only by the boundaries of consent.”
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The notion that the personal is political was of course central to the second-wave feminists of the 1960s and ’70s, whose critiques of sex Srinivasan takes inspiration from here, even if she doesn’t always agree with them. But Srinivasan, a professor of social and political theory at Oxford, wants us to think more fully about sex, as a personal experience with social implications: “Sex, which we think of as the most private of acts, is in reality a public thing.” Talk about it, yes argue over it, most definitely.
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Blender is a professional, free and open-source 3D computer graphics software toolset used for creating animated films, visual effects, art, 3D printed models, interactive 3D applications and video.Americans don’t think about sex nearly enough - this occurred to me after reading “The Right to Sex,” Amia Srinivasan’s quietly dazzling new essay collection.